“My involvement in both photography and psychology is grounded in a deep-seated curiosity,
an insatiable interest in other people and what makes them tick.”
Dimitri Mellos was born in Athens, Greece, but since 2005 has been living in New York City. He studied philosophy and psychology. As a child, he used to walk around with an old Kodak Instamatic camera (with no film loaded), pretending to be taking pictures. He rediscovered his passion for photography many years later. He is a self-taught photographer who works mainly on long-term, self-initiated projects. His work has been exhibited and collected internationally and has garnered several prestigious awards and accolades, including being a Finalist for the Magnum Expression Award and the Visura Grant, and a Juror’s Pick at the Lensculture Magnum Photography Awards. In 2019, he was one of 16 photographers featured in the anthology volume Masters of Street Photography (UK, Ammonite Press).
John Szarkowski said of Garry Winogrand that “his ambition was not to make good pictures, but through photography to know life”. This statement perfectly describes Dimitri’s photographic aspirations as well.
Winners of the Street Photography Awards 2021: Street photography captures everyday life in a public place. It tells us the story of people differently depending on the time and place.
Series Winner Dimitri Mellos shares his photography of strangers in the streets of New York City. Serendipity, evanescence, and deep respect for and affirmation of the world are the elements essential to his photography approach. He seeks glimpses of the transcendence in the mundane of the photos that depict most people's lives. His photographs are relics of a momentary merging of photographer and environment, subject and object.
Check out other photographs of winners and finalists over at the Street Photographer.
New Yorkers and their doggies
“After I moved here, it took me almost a year and a half to actually start taking pictures…street photography for me is something that’s emotionally very difficult and challenging to do. It takes some kind of courage to walk out in the street and take photos of strangers. Part of the style I’m trying to pursue, is something that balances form and content… to make the photograph interesting. It is something that develops organically….Partly because of the architecture, the layout of the grid (of NYC), I discovered deep blacks and shadows and the deep contrast between highlights and shadows, just because of how the city works and how you have those areas of sunlight, and next to that you might have a patch of darkness.”