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ProgresFestival MAGAZINE
Progressive Street
ABOUT
GANG
FACES
STAFF
ProgressivE-zine
Books–PPH
Books SERIES
SHOP
OUT OF BOUNDS – OOB
FAKE WORLD
NOTES From the Streets
PROTEST around the World
FEATURED PHOTOGRAPHERS
PHOTOS OF THE WEEK
PROGRESSIVE COVERS
STORY TIME
CHALLENGES
MATCHING MOMENTS
GALLERIES PDFS
EXHIBITIONS
Exhibition
Exhibitions
Stations ... and stations ... and stations
TIPS
Video
Index SEARCH
Contact
SPOKESPERSONS
ProgresFestival MAGAZINE
Pia Parolin
Why street photography?
Shubhodeep Roy
Unveiling Humanity: The Photographic Odissey of João Coelho
Raghubir Singh
(colour)
Josef Koudelka
(b/w)
Batsceba Hardy
Ray Francis
Tish Murtha
STREET PHOTOGRAPHY: Which is Better? Black and White or Color
[1] Helen Levitt
[2] Saul Leiter
[3] Ernst Haas
[4] William Eggleston
5] Fred Herzog
[6] Joel Sternfeld
Weegee or Arthur Fellig
(b/w)
Ralph Ellison (b/w)
Gordon Parks
(b/w)
Blur
There is no “perfect” focal length for Street Photography
Cameron Scott
Robert Frank and The Americans
W. Eugene Smith
(b/w)
Don Scott
Luis Mendes
Cristóbal Carretero Cassinello
The Precise Moment
Irina Escoffery
Alexey Titarenko
(b/w)
Frans Kemper
Night Bike Panning
Anat Shushan
Merv Fitzhenry a great storyteller
Lukasz Palka
:
Tricky Techniques with a Smart Phone Camera in Tokyo
Just Stick it in There - Thinking Outside the Box with Escalators
How to Create Negative Space - Street Photography Tutorial
WHERE SHOULD I FOCUS?
LONG EXPOSURES — 6 TIPS AND TRICKS
LONG EXPOSURES — TWO APPROACHES
LONG EXPOSURE PHOTOGRAPHY — BASIC HOW TO
MASTERING MANUAL FOCUS by Lukasz Palka
Street Photography’s Common Failures
by Patrick Monnier
Smartphone tricks and tips by Davide Dalla Giustina
In Close Street Photography by Robert Bannister