When the street crosses
the surreal
by Fernande De Canne.
We are unfamiliar with Fernand's identity but recognize his images. His photos capture facial expressions, are focused on details, or experiment with light and motion. On the other hand, they portray fictional stories.
One common feature of his shots is the accuracy of the backgrounds. Could this be manipulation? And if so, what importance does it hold?
They are stories, surreal stories.
