Chosen by Batsceba Hardy from our Facebook Galleries and changed every Monday morning.
In today's society, recognition and appreciation have become significant to many individuals. In our group and on our website, we recognize noteworthy accomplishments such as Photo of the Week, but we do not claim superiority. We proudly display your award-winning photos in our galleries and share them with you. Although we acknowledge our imperfections, we strive to provide you with the best possible experience using our intelligent features, magazines and books. Our ultimate goal is to help you appreciate your own photography as well as that of others whilst also encouraging thought and contemplation.
Monday 12.09.24
Don Springer & Theodoros Topalis
Two images in beautiful, gritty black and white depict loneliness and dreams.
At the end of the path, there is hope; sometimes, you just have to believe in it.
Monday 12.02.24
Simone Christina Sander & Petros Kotzabasis
This week, I selected two 'still life' images - without the human presence - that, although representing different styles, are both captivating in their own right.
In Simone's photograph, she beautifully captures a chandelier, skillfully highlighting the interplay of shadows, light, and colour. Her composition is clean and precise, reflecting a highly conceptual approach rather than a purely graphic style.
On the other hand, Petros' slightly blurred photo features a coat hanging on a door, evoking a sense of story and imagination. He also pays close attention to all the elements in the scene, arranging them into a symbolic composition that prompts viewers to ponder deeper meanings.
Monday 11.25.24
José Ríos López & Federico Borobio
Patrick Merino
Three images beautifully capture the moment.
The first two, taken by José and Federico, are highly narrative and embody the spirit of the street perfectly. Both compositions are excellent, showcasing vivid expressions and gestures, with Federico’s image featuring a captivating play of light.
In contrast. Patrick’s image has a more magical quality: it shows a hat placed in front of a wall filled with hats. The black-and-white composition creates a classic chiaroscuro effect, leaving us wondering about the tragic atmosphere it evokes.
Monday 11.18.24
Adriana Dovha & Alain van Hille
These two images beautifully capture a narrative that unfolds subtly in the background, inviting viewers to explore the intricate layers of the pictures. In the foreground, a striking detail commands attention, symbolizing the essence of the tale. This interplay between background and foreground encourages a deeper engagement with the imagery and its implications.
Monday 11.11.24
Paul Mei
Ron Chernysh Nadia Eeckhout Bogo Pečnikar
Paul Mei
The photo by Paul Mei stands out particularly in a moment when helicopters evoke thoughts of war. His astonished expression seems to convey a desire to use his racket to take them down. While my interpretation may be somewhat personal, it does not diminish the beauty of this unique image. I have included three images that exemplify the use of reflections in street photography.
These are clean images where the reflection plays a fundamental and narrative role. Capturing a reflection isn't enough; it must be meaningful. This is especially true for the unsettling image of Ron, the disturbing picture of Nadia, and the magical, symbolic representation of Bogo.
Monday 11.04.24
John Gill
This week, I chose a single image, possibly because the expression of the man and his partner perfectly represents my dismay at the world. I really appreciate the use of focus in this shot.
Monday 10.28.24
Shimi Cohen Pranay Kantal
George Koulouridis Thanos Kokkinis
Marc Dessi
Marc Dessi
These are five distinct approaches to photography that all emphasize a strong point of view and excellent composition. By focusing on these elements, each of the five images can effectively tell a story while steering clear of clichés. This exploration encourages creativity and a fresh perspective in capturing moments.
Monday 10.21.24
Delfim Correlo Nadia Eeckhout
Fraser Shein Daniel Ewedan Slominski
Sam Benari Tejal Mewar Gabi Ben Avraham
This week, I compiled a selection of photographs that showcase various aspects of the street. The first is an atmospheric photograph featuring a silhouette and vibrant colours (Correlo). Another image –Progressive On the Other Side – evokes feelings and invites us to imagine through a unique filter (Eeckhout). Additionally, one picture captures a seascape vividly – Progressive Scape – (Shein), while another presents a more conceptual view (Slominski). I also included a true street candid—one of those fortunate shots that reward our efforts (Benari). There’s a sweet story conveyed through another image (Mewar) and a classic example of perfect chiaroscuro (Avraham). In summary, these seven photographs are both beautiful and intriguing!
Monday 10.13.24
Petros Kotzabasis Erik Corduwener
John Gill Eduard Idelson
Michael Kennedy Keef Charles
This week, I chose four black and white portraits. The authors worked on their jogs in a clean way, using only those tiny tricks that make the images slightly more or less contrasted or give brightness to the looks. I chose them because they are beautiful portraits that express two trends: candid portraits and posed ones, which does not mean they are staged but only improvised. The photographer finds himself able to speak to the subject and asks him to take the photograph. There is no first construction or planning like for fashion portraits.
Petros found a situation that allowed him to take a conceptual photo in which the elements become almost more important than the woman. However, the woman's expression remains the protagonist. Erik is studying how to portray people, and I think he's getting good at it. John shows us the intimacy of an older woman's thoughts, while Idelson captures a young gaze that seems to judge us and leaves us thoughtful.
Two beautiful classic street portraits in colour conclude this week's series
Monday 10.07.24
Kuntal Biswas
In the image, a regular worker bears a remarkable resemblance to a superhero, exuding strength and power. The worker appears to emanate a brilliant beam of light from his eye, while the vibrant yellow light in the background creates the illusion of lightning. A striking image
Monday 09.30.24
Jay Tanen Trevor Gwin Lodolf Von Der Graus
A week dedicated to black and white imagery showcasing three captivating images that could seamlessly fit into a graphic novel. These images vividly portray a crime scene and its accompanying flashbacks.
Monday 09.23.24
Valérie Kagy
A woman hurriedly putting on lipstick while walking is likely getting ready for a date. Is it a romantic meeting or a business appointment? The shades of red (lipstick and bag) and brown (bridge and coat) complement each other perfectly. It's a simple yet unforgettable image that is not often seen
Monday 09.16.24
Ouarzi Ouarzi
The woman's position with her bare arms and the checkered table create a striking visual contrast. The interplay of darkness and light effectively emphasizes the subject. Additionally, the woman's expression conveys both surprise and a hint of pleasure, adding depth to the overall narrative of the piece. We can call it a fun and captivating image.
Monday 09.09.24
Daniel Ewedan Slominski
This is an image that takes us into a hyperworld. In a future mode but with a twentieth-century dress, the woman projects herself in a space without borders, calling someone from the past.
I like the Blade Runner look and the bright lines that seem to accompany the gesture to a vanishing point
Monday 09.02.24
Alberto M. Melis
When I saw this beautiful portrait, with a perfect b/w, I asked Alberto about the story of this man. Here it is: Dam is 57 years old, comes from Senegal and has been in Italy for almost two decades. Every morning he works near a traffic light, always the same one in Cagliari, selling paper handkerchiefs, lighters and other small items to motorists who stop at red lights. When the green goes off, he rests on a small chair on the side of the road, in the shade of a tree. Dam, every two years, returns to Senegal for a month or two to be with his wife and 11 children. The man's eyes wordlessly convey the message, making it the week's photo.
Monday 08.26.24
Jacques Pharand
This week, I selected an image that demonstrates how the absence of clarity isn't always a drawback. Instead, at times, it can be advantageous. In this instance, it contributes to the image by imparting a sense of antiquity, dreaminess, and drama – whatever each individual prefers. I also imagined a gun in the cyclist's hand, but I chose to focus on the idea of a potential greeting between the two and the scent of summer.